Writing:
Synesthetizing Sound Studies and the Sociology of Technology (2014, Sociology Compass)
A Brief History of Auto-Tune (2014, Sounding Out: The Sound Studies Blog)
Learning to Listen Beyond Our Ears (2014, Sounding Out: The Sound Studies Blog)
Tuning In Situ: Articulations of Voice, Affect, and Artifact in the Recording Studio (2017, Dissertation)
Auto-Tune In Situ: Digital Vocal Correction and Conversational Repair (2018, Critical Approaches to the Production of Music and Sound)
Review of Andrew Nelson's "The Sound of Innovation" (2018, Annals of the History of Computing)
Jitter: Clocking as Audible Media (2019, International Journal of Communication)
Shibboleths in the Studio: Informal demarcation practices among audio engineers (2020, Social Studies of Science)
The Maniac-Making Machine: A Media Genealogy of Delayed Auditory Feedback (2021, Technology and Culture)
From Proving Ground the Bumblehive: Utah’s Weird Information Science Landscape (2021, Pulse)
Un-silencing an Experimental Technique: Listening to the electrical penetration graph (2021, Science, Technology, and Human Values)
Infrastructural Inversions in Sound art and STS (2022, Routledge Handbook of Art, Science, & Technology Studies)
Boom and Bust: The Fight Over Bitcoin Mining in New York State (2022, Science for the People)
Lie, Cheat, and Steal: The CIA’s Disastrous Scientific Legacy (2023, Science for the People)
The Oleaginous Voice: Auto-tune, Linear Predictive Coding, and the Security-Petroleum Complex (2024, History and Technology)
Some Syllabi:
Syllabus - Technology & Society: Sound Cultures
Syllabus - Time: Mechanism and Measurement
Syllabus - Sounding Data: Critical and Creative Approaches to Sonification